History of Australian and New Zealand Thought

Open discussion on the evolution of Australian and New Zealand Thought

Wednesday, 19 November 2008

Follow The Sun - Aussie travel posters from 1930 - 1950

Empire Games

Continuing our series on resources that can be used to flesh out the history of Australian and New Zealand Thought, Australia's National Library had a fantastic exhibition of Australian travel posters from 1930 to 1950.

Visual material of this type can be a great help in understanding the way people thought of themselves, how they wanted to be thought of by others.

Our thanks to the Other Andrew for drawing the exhibition to our attention via his post To Australia Via Suez Canal!

Wednesday, 12 November 2008

Picture Australia - a great source of photos

Continuing our series on reference sources, Picture Australia provides access to a wide range of visual material held in various official collections around Australia.

Friday, 7 November 2008

Australia and New Zealand on screen

Australian Screen is a very useful source of information on Australian films including home movies. I find some of the curator's comments mildly annoying because I disagree with them, but that's a carp.

NZ on Screen is the New Zealand equivalent.

Monday, 3 November 2008

Australian Biography

This is the first of a couple of posts simply reporting on a couple of on-line reference sources that you can use if you are interested in particular periods. It follows from an earlier post that Rafe did, The history of technology in Australia , providing a link to an invaluable on-line history of technology in Australia.

We already have the links to the Australian and New Zealand Dictionaries of Biography on the side bar. These are great because of the way you can follow through on areas and topics.

Another interesting Australian on-line biographical resource is Australian Biography, material on a range of Australians originally prepared by Film Australia. I found it because I was looking for material on Thomas Kenneally.

Friday, 31 October 2008

The Lord's Prayer and the Australian Parliament - hints about the changing ways Australians think

In a post on my personal blog, In defence of the Lord's Prayer in the Australian Parliament, I mounted a case for the continued use of the Lord's Prayer at the start of sessions in the Federal Parliament. The comments that followed left me in a minority of one!

I found the discussion interesting in part because of the hints it provided about changes in the way Australians think. I want to explore those hints in this post. My discussion does not pretend to be rigorous, simply putting ideas forward for further discussion.

To set the scene, the Lord's Prayer has, to my knowledge, been used in the Australian Parliament since Federation. This passed without comment until quite recently when persistent moves began to have it dropped. Listening to the debates on the matter, the proponents are quite passionate about it. So what has changed?

In teasing this through, I am not arguing positions. Rather, I am pointing to various linked themes and asking questions. I am providing links to some of my own posts where I see these as relevant.

Is/was Australian a Christian Country?

I got drawn into this one in Was Australia a Christian country - and what comes now. However, there is a broader question.

In the past, the question as to whether or not Australia was a Christian country was primarily of interest to the Churches promoting spiritual and moral revival. There was, I think, a usually implicit assumption that Australia was in fact a Christian country even if observance by many was quite nominal.

The need to argue, to prove if you like, that Australia is not and indeed never has been a Christian country is (I think) quite new. This got me thinking. When did it first emerge, who argued it, why was it seen as important?

Separation of Church and State

The argument here is that the retention of the prayer is a breach of the principle of separation of church and state. Now for reasons I outlined in Freedom of religion in Australia - a historical note, church and state have always been separate in Australia, with freedom of religion actually enshrined in the constitution. This did not prevent us then or now using the Lord's Prayer as a matter of custom, having military chaplains, using a variety of religious symbols in public activities and so on.

In all this, there has always been a view in Australia that churches should butt out of politics. This was, I think, most pronounced on the non-Labor side. I haven't checked my sources, but I can think of a number of pronouncements by Liberal politicians. The position on the Labor side was more complicated because of the traditional linkages as well as changing relationships between that Party and elements within the Roman Catholic Church. The Catholic vote was very important to the Party.

Again, something has changed with the concept of separation of church and state somehow gaining extra power. Again, I wondered in my mind when this first happened, who argued it?

Changing attitudes to religion

The discussion provided a number of hints about Australia's changing attitudes to religion.

Australians have always been a fairly irreligious lot. Some years ago I had a friend who was doing religious studies as part of her university course. The bible was one of the set texts. When she got into a lift carrying the bible, she suddenly had half the lift to herself! More recently at a parents' function at my daughters' Anglican school, a number of parents complained about the emphasis the school placed on religion. I actually found this quite odd. After all, they had chosen to send their daughters to a church school.

In recent years, church attendances along with the proportion of the population claiming especially Christian affiliation have been in decline. Yet in all this, I have the strong impression, one that could be checked through media mapping, that we talk far more about religion in Australia than we used to.

The influence of 9/11 and the War on Terrorism is obviously one influence. For example, one comment linked the need to keep church and state separate because of the push for Sharia law in certain countries. A second commentator commented on what the writer saw as an imbalance in reporting on Muslim issues.

Inn my post, I commented on what I saw as an anti-religion tone in some of the commentary. This was really intended to draw a response, and indeed it did. However, it was also meant as a serious point.

There has always been a sceptic theme in Australian thinking. However, the rise of a consciously atheist stream, the argument that the Lord's Prayer should not be used because it might offend atheists, marks a significant change, one that future historians will probably explore.

This change is not unique to Australia. In this context, it is always a difficulty to disentangle Australian features from broader elements, including the conscious use or even misuse of international trends for local purposes. I explored one element of this in Australia's Culture Wars - uniquely Australian?

In the discussion, I was left wondering to what extent the loss of moral authority of Australia's Christian Churches through things such as sexual scandals had opened the way for alternative views. In Australia of the past, the Churches were seen as largely dominant in the general moral sphere. Again, I suspect that this change is potentially measurable.

Liberal Democracy and a Pluralist Australia

There was one reference in the discussion on the separation of church and state suggesting that the continuation of the use of the Lord's Prayer was incompatible with Australia's position as a liberal democracy.

I am not sure when the phrase "liberal democracy" first emerged. Again, and I stand to be corrected, I think that its current usage is quite recent. It has now become a symbol, a set of attributes, used to describe certain western countries.

More broadly, there were a number of comments suggesting that maintenance of the Lord's Prayer was incompatible with Australia's position as a multi-ethnic community. I am not quite sure why this should be so. However, that is beside the point for the purposes of this post.

The real issue is the evolution and application of the concept that Australia's institutions, policies and programs attuned to the majority needed to be adjusted to accommodate the presence of minorities.

This is not an attack on those policies, although I do have reservations about certain aspects. Rather, I am talking just about the history.

Thursday, 9 October 2008

The history of technology in Australia

This blog is about quality, not quantity!

Seeing a comment by my colleague Jim on another site reminded me that there is a fantastic website on the history of technology in Australia which is worth a plug on this blog, even if hardly anyone reads it.

The original post on architecture and beauty came from Nicholas Gruen. This prompted some thoughts on the way that changes in technology and building materials generate new opportunities and challenges for architects and builders.

The site that I want to promote is actually the web version of a book that was produced for the bicentenary.

For a bit more of the same kind of thing you can go here.

There is a question mark in my mind about the history of the CSIRO. What about the story that the CSIRO had to decide circa 1950 whether to put serious resources into rainmaking or computers and they went for rainmaking? The index to the big book does not have rainmaking and I don’t have time to read a lot of text. Anyone out there a full bottle on that bit of history?

Tuesday, 18 March 2008

What makes a writer - or artist - a local?

I have just been doing an update on the New England's History blog. This and its companion blog, New England Australia, are my attempt to preserve and present the life and history of a major sub-state area, one that has striven for self-government over a long period.

My updating raised in my mind the question as to when we should classify someone as a local writer or artist.

On New England Australia I put up a post on Australian painter Margaret Olley, Margaret Olley's New England connection.

Margaret Olley was born in Lismore and spent part of her early life on the Tweed. Yet while New England might claim her as its own, she is not (to my current knowledge) a New England artist in that I know of no evidence that her painting was affected by her New England experience.

Compare her to Judith Wright or Alex Buzo.

Judith Wright's work was deeply shaped by her New England Tableland's family and up-bringing. South of my day's circle, part of my blood's country, Judith wrote of her homeland.

Alex Buzo was born in Sydney and came to Armidale with his parents. Alex loved Sydney and returned there after school. His writing was informed by his sense of irony and love of the Australian idiom.

Yet his Armidale experiences - he retained his links to the city and his old school to the end -also informed his writing. One of his plays - I do not remember the name - captured his flight from Armidale back to the big smoke. Alex expected me to identify the characters, and indeed I did.

Coming to a place does not make you a local. Often, as with D H Lawrence's presentation of Australia in Kangaroo (1923), the outsider can write from a sometimes jaundiced perspective.

Robert Barnard's crime novel Death of an Old Goat, drawing from his experiences while an English lecturer at the University of New England can hardly be described as a sympathetic portrayal of Armidale. The blurb reads:

Professor Belville-Smith had bored university audiences in England with the same lecture for fifty years. Now he was crossing the Australian continent, doing precisely the same. Never before had the reaction been so extreme, however, for shortly after an undistinguished appearance at Drummondale University, the doddering old professor is found brutally murdered.

The characters, many instantly recognisable to locals, are presented with a degree of disdain, even contempt.

Patrice Newell is very different.

Born in Adelaide, Patrice (here and here) came to Gundy in the Hunter I do not think that Patrice would even recognise herself as a New England writer, yet her books capture both the local and broader New England linkages and experience.

I am not sure where I go with all this, but I find the ideas interesting.